At once a choreographer, musician, poet and researcher, Mackenzy Bergile is an interdisciplinary Franco-Haitian artist. In Autothérapie, he embarks on a body exploration between memory and the present. Through a series of fragmented “sessions”, an intense dialogue with history and identity unfolds: what is stored in the body begins to speak.
Drawing on Haitian Spiralism – a poetic and political philosophy that understands history as cyclical and polyphonic – Mackenzy Bergile traces a geography of memories, traumas, and cultural references across three continents: from the forced displacement of around 12 million African people through the transatlantic slave trade, to the Haitian Revolution and the Jim Crow laws in the United States, and into contemporary Europe. The body becomes an archive – and the starting point for a careful reorientation.
Choreography, Dramaturgy & Text: Mackenzy Bergile / Performance: Mackenzy Bergile / Artistic Collaboration: Inès Mauricio / Light Design: Eduardo Abdala / Costume: Mackenzy Bergile / Photos: Fabian Hammerl,Davy, Jean-François Doulin / Production and Distribution: collectif FAIR-E – CCN de Rennes et de Bretagne, supported by the Ministry of Culture (Direction régionale des Affaires culturelles Bretagne), the City of Rennes, the Brittany Region, and the Department of Ille-et-Vilaine / Co-production: International Summer Festival Kampnagel, CCN de Tours – Thomas Lebrun, and CCN d'Orléans – Collectif ÈS (as part of the Accueil-studio), Fonds Transfabrik – German-French Fund for Performing Arts, Théatre de la Bastille / Support: Project Aid – Ministry of Culture (Direction régionale des Affaires culturelles Bretagne), Support for artistic residencies – City of Rennes / With the kind support of the Institut français and the French Ministry of Culture / Many thanks to Hans Otto Theater / Internet: www.regardsurlegeste.com / Duration: 80 minutes
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